{English follows} Glammy Lee est un artiste multidisciplinaire queer gay qui exprime son point de vue unique à travers l’art digital, l’illustration, la peinture, les autocollants, la mode, des poupées customisées et bien plus. Styliste de cheveux de profession, Lee se voit comme une œuvre d’art et ses vêtements ont toujours connu un succès dans les boîtes de nuits queer, en assemblant des motifs de l’espace, de jeux des années 80 et 90, impression léopard, néon et art de rue présentés par son expression artistique. Il occupe le futur et le passé et peut trouver son inspiration des Spice Girls ou par l’icône du Black Panther Party. Dans le monde de Lee, tous.tes sont invités.ées, il suffit de trouver son passage à travers tous les lazers. {English} Glammy Lee is a multidisciplinary queer/gay artist who expresses his unique point-of-view through digital art, drawing, painting, stickers, fashion design, custom dolls and more. A hairstylist by trade, Lee sees himself as walking art and his outfits have been known to make a scene in queer nightclubs, blending the same motifs of space, 80’s and 90’s toys, leopard print, neon and street art present across his artistic outputs. He occupies the future and the past and is as likely to find inspiration in the Spice Girls as he is to find it in the iconography of the Black Panther Party. In Lee’s world everyone is invited, if they can find their way through all the lasers first.

{English follows} Glammy Lee est un artiste multidisciplinaire queer gay qui exprime son point de vue unique à travers l’art digital, l’illustration, la peinture, les autocollants, la mode, des poupées customisées et bien plus. Styliste de cheveux de profession, Lee se voit comme une œuvre d’art et ses vêtements ont toujours connu un succès dans les boîtes de nuits queer, en assemblant des motifs de l’espace, de jeux des années 80 et 90, impression léopard, néon et art de rue présentés par son expression artistique. Il occupe le futur et le passé et peut trouver son inspiration des Spice Girls ou par l’icône du Black Panther Party. Dans le monde de Lee, tous.tes sont invités.ées, il suffit de trouver son passage à travers tous les lazers. {English} Glammy Lee is a multidisciplinary queer/gay artist who expresses his unique point-of-view through digital art, drawing, painting, stickers, fashion design, custom dolls and more. A hairstylist by trade, Lee sees himself as walking art and his outfits have been known to make a scene in queer nightclubs, blending the same motifs of space, 80’s and 90’s toys, leopard print, neon and street art present across his artistic outputs. He occupies the future and the past and is as likely to find inspiration in the Spice Girls as he is to find it in the iconography of the Black Panther Party. In Lee’s world everyone is invited, if they can find their way through all the lasers first.

Glammy Lee’s work rights the wrongs of repressed queer childhoods. It realizes the expression young queer people yearn for as adults, in mixed mediums. In his hair work, Lee seeks out hyper artistic subjects looking for radical self-expression, creating candy coloured, leopard-print, avant-garde cuts and sculptures. He paints and styles customized Barbie, Bratz and My Little Pony dolls in his signature aesthetic. His digital art inserts blackness, black strength and black alternative beauty into the realms of animé, sci-fi and toys, where it has been traditionally absent. Lee’s various art forms converge to position alternative queers as both the heroes and villains of their childhood dreams, in a place where members of the heteronormative, patriarchal, white supremacist mainstream society no longer have the power to say “No.”

Glammy Lee’s work rights the wrongs of repressed queer childhoods. It realizes the expression young queer people yearn for as adults, in mixed mediums. In his hair work, Lee seeks out hyper artistic subjects looking for radical self-expression, creating candy coloured, leopard-print, avant-garde cuts and sculptures. He paints and styles customized Barbie, Bratz and My Little Pony dolls in his signature aesthetic. His digital art inserts blackness, black strength and black alternative beauty into the realms of animé, sci-fi and toys, where it has been traditionally absent. Lee’s various art forms converge to position alternative queers as both the heroes and villains of their childhood dreams, in a place where members of the heteronormative, patriarchal, white supremacist mainstream society no longer have the power to say “No.”