My passion for the arts, especially for the great masters, has greatly influenced my pictorial style as much as the research and experiments carried out. I am a rebel: I tore pages from books to regroup famous paintings and stick them in a mosaic. Works which by their styles, their dates and places of production have nothing to do. By creating this strange gathering above the face of the main character, I question the spectator on time and space, as much as on beauty. The beautiful, should not remain in the closed books. What one loves must be exposed. So for those who cannot afford master paintings costing several million; I propose this table, bringing them together outrageously.